5 Netflix Movies With Strong Female Figures You Need To Watch

Over the past decade, major female characters have become more visible and relevant in the cinema. Something that was reflected almost immediately in the series, especially on streaming platforms. diffusion like Netflix. This is a phenomenon of considerable interest, which enabled a whole new cast of women to star in new stories.

Women in search of their existential purpose, with a kind of force that goes beyond the physical to celebrate the spiritual and the intellectual. A journey that has brought to the cinema and now, to television, several of his most interesting interpretations. But above all, a deep understanding of feminine nature, its motivations and its objectives.

Of course, this is the culmination of a precious evolution of women in show business. Of damsels in distress, idealized scapegoats and sexual objects, female figures have become complex concepts on pop culture. To the point of reconstructing the idea of ​​power, vulnerability and value at a completely original layer. Most new Hollywood productions carry the banner of giving women new places for emotional exploration, and some of them are Netflix originals, whether in film or TV series.

Whether in search of their own space or an interpretation of the world around them. The new heroines of the cinematographic universe are the symbols of a renewed vision of the sensitive and the eloquent. A journey towards a more realistic reflection on women and their place in history and culture. We leave you with five great films about female characters that you can see right now on Netflix that prove it.

Taken away as if by magic

For more than thirty years, Studio Ghibli has stood out for its outstanding female characters. Also, emphasizing the richness of the world, the context and the stories that surround them. And especially the movie Taken away as if by magic by Hayao Miyazaki, is a celebration of a kind of heroine who combines a huge heart with a strong will, and is available on Netflix.

The film is a tribute to a whole series of seemingly simple ideas about women, which the plot turns into powerful allegories. From mix between fragility and strengthto Chihiro’s ability to become her own heroine.

Miyazaki manages to weave the perception of a kind of inner power, which creates an extraordinary emotional landscape. Little by little, the adventure becomes an exploration of what gives meaning to the essence of the human spirit. Everything, through the very young Chihiro, became the center of an increasingly beautiful and complex surreal and mysterious plot. A figurehead in the midst of a powerful new type of woman of considerable plot value.

It’s the only movie on our list of recommendations that isn’t an original Netflix production, but can be found in its catalog in many countries.

lost girls

The exploration of crimes involving women is often incomplete in cinema. From making the victim an allegory with larger themes, to the morbid perception of the crime. On very few occasions, the reconstruction of a violent circumstance, includes the reflection of the environment. At best, from the context that surrounds those who have suffered it. So that lost girls by Liz Garbus, with its direct and well-constructed air, is an exception. The Netflix original also tackles all sorts of issues around aggression, sexism, and misogyny appropriately and cleverly.

When Mari’s (Amy Ryan) daughter goes missing, the character will discover that appealing to the law means traversing a convoluted bureaucratic loophole. Worse still, a painful journey in the midst of discrimination and omission. The film, based on a true story, delves into Mari’s long journey to find answers. It also depicts, in an anguished way, the way in which legal systems sometimes put prejudice before justice. A disturbing subject the director thinks from a sensitive point of view.

In the end, Mari will find that finding her daughter is just the first step towards a disturbing crack in the justice system and its perception of women. A chilling connotation of good and evil in our time. But also, a questioning of considerable interest on the way in which contemporary culture rationalizes the idea of ​​victim.

more than mothers

The relationship between mothers and children is often a complicated subject in cinema. Specifically, because they involve narratives that usually lead to tearful or moralizing drama. But more than mothers by Cindy Chupack is a fun and poignant insight into a sensitive bond. It is also an intuitive celebration of the perception of contemporary motherhood, with its gray spots and, ultimately, its search for answers. The film, a Netflix original, was released in early August 2019.

Carol (Angela Bassett), Gillian (Patricia Arquette) and Helen (Felicity Huffman) begin to rethink how they communicate with their respective children. All this, in the middle of Mother’s Day and perhaps, a sensitive moment that unites them at an intermediate point of uncomfortable questioning. “Was I a good mother? Carol wonders aloud, formidable and brilliant. “Or do I think I was and didn’t fully understand what I failed at?” This is just one of the many questions the film raises with a certain mocking air, but no doubt, with more depth than it seems.

For more than mothers, the big dilemma lies in expectations. Is there a way to conform to everything society and culture harbors about motherhood? The film offers no direct answer on the subject. Yet he comes to a thrilling conclusion: In the end, the love between mothers and children is a mystery. A strange, powerful and constantly changing. Perhaps the deepest message of a seemingly simple argument that ends up surprising in its sensitivity.


Stories about women, told from a female perspective, are often difficult to tell in depth. Not least because of the ease with which the story can circumvent the stereotype. Something to worry about at a time when the gaze on gender is under constant scrutiny. Amy Poehler, bittersweet comedy veteran and with a kind of twisted humor that made her a star, she has enough enthusiasm to do it.

In fact, his movie Moxie, based on the book of the same name Jennifer Mathieu, is an endearing analysis of adolescence. Also, a journey of how ideals become something more powerful than abstract perception

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